No one wants to waste time, and yet many who try to learn how to do it without any structure fail, without any structure, without a plan. They open a tune, sit down and just go through it. For years I did the same thing, and he would lead me from month to month, to learn one song from beginning to end. It would also take me months, sometimes even years, to memorize. If you are looking for a seasoned piano player, the most enjoyable pieces to play are those that are mastered and memorized, because you can concentrate on the way you are playing and enjoying the music. But to get here, we need to practice the process. If you don’t have a practice method, you could be spending more time working instead of enjoying your music.
These tips come from a seasoned piano instructor who hit a point in his life when he got sick and couldn’t practice on the piano for months. He found a way to understand all of his classmates in a short period of time by fostering these mysteries. When you implement these plans, it may seem like you are starting out slowly, but it is better to be slow and learn something right than to fast and do everything wrong. It reminds me of doing resistance training. Form is always more important than how fast or how much you can lift. If you do something too fast with too much weight using the wrong form, you are bound to deteriorate. . This is the same as learning the piano. It is savvy rather than speed.
1. Write the numbers above on each note to indicate which finger will play which note
This is the first step. It is also a very noble step. You must do this before your first attempt to play a piece. Some pieces of music have already been written for some numbers; just fill in the missing number. This step is very important because every time you practice a note, the repetition forces your brain to associate a specific finger with a specific key on the key. The only thing to remember is to use the same fingers for the same keys. If you don’t count each note, you might be playing the keys with different fingers every time, and then you’ll waste time because your brain will get confused and won’t remember anything! If you don’t do this right away, your brain will work in a double effort of unlearning the habit, and then sending the new key to the finger association.
2. Divide the parts into digestible sections
Don’t play the whole thing through! Start with a few remedies and you’ll want to tackle that first. This is important because you want to avoid “stuttering” altogether. It’s stuttering when they release the pulse because you don’t know the part and you have a delay. You don’t want to lose your pulse. Once you start stuttering in a section, it becomes a habit.
3. do one hand, the other
I know how to sound better with both, but the truth is, if you can’t play one hand without buzzing, there’s no way you can play both without humming. This step is important because most people have a harder time playing with their left hand and when playing with a piece; the left is weaker than the right. When you try to play a piece without breaking, your eyes automatically focus on the top bar (right) ignoring the bottom (left) . By taking time for this step, you are ensuring that both hands receive equal focus.
4. Playing loud and hard without making any sense
When you put two hands together and take over a digestible section, you have individual characteristics: large and hard. Do not pay attention to growth and dynamics. Now it’s time to review all of your study notes. If your work is divided, it will take longer to learn the notes, just work clearly and hard. You want to make it strong with both hands. In the end, it is easier to control strength than to make a weak hand strong. You’ll also want to remember your finger arches. This is an ideal practice key. You build strength and develop precision when your hands are arched for flat shooting.
5. Work on the next digestible section and then connect the first with the second and so on
When you have mastered the right and left of the first section, you have placed two hands together with big and hard arched arms, and you have felt that you have gained a degree of mastery in that section, then and only. then he should move on to the next section. Repeat this process until you’ve finished the last piece!
6. Add expression, feel and sound
Once you’ve gone through the entire piece and you’ve covered all the sections and put them all together, you can then add the elements of the phrase. No pain at the time. It’s up to you to get to the point where you can express your learned art. Now is the time to put your personal expression into the role, and it will be nice to not have to stutter. Congratulations, you are remembered for your way! Now, you have to repeat the part over and over again, and soon your brain will have it memorized.
