Of all black’s answers to list 1. e4, the Sicilian Defense has the best chess results, with white only scoring 52.2% of the games. Compare this to the French defense which has a white scoring of 55.4%, or the Scandinavian defense which has a white scoring of 57.4%. From these numbers alone, we can see that the Sicilian defense is a serious opening for attacking the black player, and that black plays a lot more than the other defenses at 1.e4.
The first move starts with 1. e4 c5. The point of this matter is that his plans are to mortgage black businesses instead of d-mortgage white ones. When this trade takes place, black will have two central pawns while white will have only one central pawn. This gives black a lot of power to break into white’s center. The general argument of the Sicilian defense in all lines is that the white will control the center at the beginning of the game, and the black play will revolve around the center of the white attack. The fact that the two central black men will have to do this is often fatal.
Moving, in the defensive lines of the Sicilians, the next white move is 2. Nf3, which prepares to play d2-d4. White’s reason for playing Nf3 is first, so when he plays d2-d4, and black cxd4, white can respond with Nxd4 instead of having Qxd4. If white has to play Qxd4, then black can attack white’s queen with moves like Nc6 and gain time.
Here, the black, generally plays, and moves three times. Black can usually play 2….Nc6, 2….d6, or 2….e6, all of which lead to different lines. Something that you may notice if you are interested in the Sicilian defense is that there are many transpositions that black can make with his order, so if he plays Nc6 here, he can easily change the variation that he usually plays here for e6. . In this article, I will cover some of the main variations of the Sicilian defense that arise from 2….Nc6 and 2….e6. This will be the only way to explore Sicily, so that you can decide what appeals to you, what you don’t see, and what you can study further.
De Rossolimo Variation
After 2. … Nc6, instead of playing 3. d4 immediately, White can play 3. Bb5 instead. The point of this move is that if white plays Bxc6 when black gets the pawn, it makes his pawn a bit messy, and white has more power in the center, since black’s knight is no longer attacking d4 or e5. On the other hand, black plays 3. … e6. Now if White plays Bxb6, Black plays bxc6, and in a weak position, Black supports the c6-pawn s d7-d5 Black’s push, breaking through in the middle. For white castle simply 4. 0-0 and black plays Nge7. Black now has the ability to take c6 with his e7 knight if he wants.
Now the album has to decide how we will continue to play. Black’s strategy is to play a6 and b5 to follow Bb7, and try to break the center with d7-d5. White can play with Re1, Nc3, or here c3. 5. I think c3 is the easiest game, so I recommend it here. The psalm follows 5. … a6, 6. Ba4 b5, 7. Bc2. In this position, the white has a solid center and a safe king with a strategy of building and playing d2-d4. Black, on the other hand, has a queenside game and can counter-play in the center. This is equally a position with a slight edge to white.
Sveshnikov Variation
If you go to the back position after 1. e4 c5, 2. Nf3 Nc6, you have the option of playing 3. d4 right away, which was the plan in the first place. After 3 You’ll come to see black’s fourth move and white’s fifth move quite standard in most Sicilian lines. At this point black has the option of playing 5. … e5 which puts us in the Sveshnikov variation. White responds with 6. Ndb5. Black plays d6, preventing white from playing Nd6+ and messing up his position. White activates his bishop with 7. Bg5, black kicks the knight with a6, and white with 8. Na3.
Now take a moment and look at this idea. Black has more of a middle presence than in most Sicilian main lines, this is the first one, but white is compensated by the fact that d5 is a big hole in the game black In fact, much of White’s play revolves around getting his pawn to d5 and setting it up on the d-board. But it is balanced by the fact that black also has a central game.
Black’s next move is usually 8. … b5, with the threat of b5-b4, two white knights. White must respond to this in a number of ways, including the passive Nab1, or the more active strategies of immediate Nd5 or Bxf6 gxf6, followed by Nd5. This sharp and edged design gives a lot of edge to the game, although again it is a light white edge.
Paulsen Variation
For 2. … Nc6, black can also play with 2. … e6. After 1. e4 c5, 2. Nf3 e6, 3. d4 exd4, 4. Nxd4 Nf6, 5. Nc3 we are in the Paulsen Variation. Here black can play with 5…Qb6, which can be a strange move, but the point is that black cuts the a7-g1 diagonal with his queen and that white has painted the c1-bishop. defense b2 pledged. White can play 6. Nb3 Bb4 (miner Bxc3+, bxc3 Nxe4, winning the pawn), 7. Bd3 Bxc3+, 8. bxc3 Qc7, and black’s game is over. Black white doubled s c-men, but in white exchange he has two bishops and held a little more control . This position is slightly better than white.
Conclusion
In the Sicilian line of defense, black’s options 2. … e6 and 2. … Nc6 can steer the game in a completely different direction based on what kind of game black wants to play. The main idea when exploring openings is to try out a few variations on the system, and judge which one you like best. Later, after you’ve made this statement, you try harder to change it so that it feels true. Eventually you will know the variation inside and out, and whoever wants to deal with you will have a lot of business.
