Singer Adele has a beautiful, old soul style of voice, but I’m not someone who’s ever really listened through one of her albums. I decided to listen to that second studio album “21” and see if the rest of the album could live up to the one that caught my attention: “Rolling In The Deep.” So, here are my picks for the top songs from Adele’s Album “21” and then my live scores on all the songs.
2. “One and only”.
These two signs were for me to make it top three list, but really these two were the only ones with me now they spoke. Here are my thoughts on the full list:
“Rolls in the deep”: I enjoy the lingris, I am happy with the pulse, this song twists the feeling, It welcomes and rocks. It has the power to move all the patterns in the list by itself.
“It Was”: “The song is talking and directed at a man, but it feels more like a song” that a woman wants to be used as a singer and maybe other women listen to this.
“Boards”: I first heard this song when Gwyneth Paltrow sang it on the show “Glee” and I thought it was weird on television, but I happened to look up who was the original artist. A strong, moving ballad.
“Don’t You Remember”: It doesn’t stand out to me as a decent song, but I think country musician could arrange it and make it a bigger song.
“Fire Rain”: An obvious choice from the album as a single, it was a hit and will continue to be heard more and more. Great lyrics and melody, but it doesn’t seem to be on the edge of constant delivery in the voice, it feels more secure, as opposed to pulling me in fully. Of course the thing is the effect maybe and it could have been different if it had been heard live and really sold, I’m just getting away from what I hear on the album. Good song, though.
“She doesn’t want to go”: Clapping joins the keyboard and Adele croons with her and I could see her singing this in the “hug” movie, but it’s not mine cup of tea.
“Take It All”: Honest piano and soulful vocals visiting a place of sadness at the beginning of what could have been a happier ending. But it doesn’t stab me in the guts as viciously as similar sounding songs have.
“Wait”: it builds and grows in you. I wasn’t all that into it through the swirling harp and horn vibe at the beginning, but when I first broke into the overpowering chorus, I was digging it, but a song alone can’t be a chorus, and the rest doesn’t do it. choose me the most.
“One and only”: I like the song because it takes me into an atmosphere where thinks I am. drinking in the bar, watching the smoke rise from the astray and I can’t have any desire. Or this song could fit nicely as a small piece in a movie, perhaps set in the distant past, as it has a classical voice and it’s in music< /a> too. I really love this song.
“Lovesong”: This is a cover song, originally sung by the band Curator and the only permanent member of the group, lead singer Robert Smith. The original worked for me and I don’t need Adele’s version, so: meh.
“Although You”: he says that he was miserable and alone “on his knees” when he wrote it. A beautiful song, a story is told and the pain of the heart is felt, but I don’t mind listening to someone else sing and comparing versions, because sometimes I couldn’t understand Adele’s words clearly during the song.
