A fable is a literary genre that is usually short and epigrammatic in nature, showing an instructive moral end to the story. The most famous writer of fables is Aesop, of course, and so successful that very few writers even attempt to challenge him to be attributed to a substantial canon. A lack of stories is not necessarily a lack of moral lessons. The characters of the story can include animals as well as people, as well as gods or objects. But the most common stories usually take animals as subjects by anthropomorphizing them, so that they speak and behave in a different way like humans. The use of animals in fables makes sense because animals are natural creatures not given to moral relativism; they do what they do and there is a gray area. This black and white approach to behavior stands as another reason for the story’s declining popularity. Animals are also used because their behavior is easily uniform. Ants are prodigious workers and therefore work much better than a lazy human being compared to the moral of work. Tortoises are slow and steady, but hares are very fast, but all over the place they are perfect animals for which the moral of the eye keeping you in good spirits.
Aesop, to whom the most famous fables are attributed, was a Greek slave who lived in 6 BC. All later writers spent Aesop’s fable writing, but in fact many writers awoke in it who were unsuccessful in taking on the mantle of servitude. A French writer named Joan de la Fontaine, v. gr., wrote a series of popular stories in the most elegant poetica in the 17th century. Beatrix Potter and George Orwell also tried their hand at writing stories when Orwell, as you might believe, lend his stories. a kind of tough satirical wit, which is not found in most others. And of course Oscar Wilde also published some stories. These famous authors have a strong sense of story, to be found in the folk tales of the ancient American tradition.
The modernist movement of the 20th century saw the explosion of many traditional literary conventions that were based on widely accepted beliefs towards absolute morality. The modernist movement killed a bunch by holding many of the most cherished beliefs, the main one being that moral precepts could be applied in all situations. As a result, the moral linchpin on the object of the fable became parody and satire itself. Perhaps the most famous fable parodies in American history are found in Aesop & amp; Son of a segment of the 1960s animated show Rocky and Bullwinkle stars. In these parodies, Aesop tries to teach his moral doctrine to his son, but the son subverts the morals in his own mind. Postmodernism co-opted the story as it exists today through similar subversions to reveal the inherent flaws in trying to impose an absolute sense of morality on a diverse world.
Oh, and by the way, the technical term for someone who writes stories is fabulist. Someone who writes incredible stories can be said to be legendary and fantastic.
